Twin Peaks was a romp through the dark and twisted paths that follow David Lynch wherever he goes and the score reflects that. It is a ghost of a score, touching down for only a moment in your mind and then floating off on a breeze. I'm pulling into a parking lot just this side of the state border. 6 am, no one here but I need gas and more smokes.
Where the hell am I? The interstate signs said there'd be a rest stop and store somewhere around here, but I can't see a damn thing. I feel the sunlight whisper through the branches of this autumn day as I start walking towards the abandoned roller coaster just on the other side of this run down building, I think it's a restaurant.
Flashes of something following me down into a stream bed and staying just out of my sight. Son of a bitch! I head back to the car, watching the edges of my vision and cram the keys into the door as fast as I can. I point the nose back towards the interstate entrance and stuff my toes into the floorboard.
Fuck! Weird little place, no wonder it wasn't on this map I picked up. No one ever comes back. I wonder how these places come to be...... I keep a close watch on this album while it plots with Chet Baker, Akira Yamaoka, and The Black Heart Procession.
Good for: Setting up detective fiction in your local coffee shop, making everyone suspicious as hell.
Listen to Nightingale on Last.fm!
The writings of Eriq Nelson, ranging from poetry to prose to Extremely Bad Ideas and short stories.
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1 comment:
Goddamn this was one strange television show. The Badalamenti score is a beautiful and frightening thing.
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