The writings of Eriq Nelson, ranging from poetry to prose to Extremely Bad Ideas and short stories.
Showing posts with label ethereal. Show all posts
Showing posts with label ethereal. Show all posts

04 April, 2009

Short Story: Broken Social Scene - Bee Hives

The swirling dirt and dust around her feet seemed to guide Julie forward, waving in her direction from ground level. Hoping that the air could tell her what last night could not, she followed the tiny vortex down the quiet concrete of the abandoned main street. Two birds flew quietly overhead as she crossed to the other side, still following this jinn of cigarette ash and road dirt. Clouds gathered overhead, threatening to mask the rays of a wan and silvery sunlight that pervaded the atmosphere of Stuart Nebraska.

Julie Wainsworth was not a tall woman. This particular morning she reflected that it is at times an advantage to be short, the wind passed over her while the trees looked as though they might lie down for a nap after straining so long to stand up. She had been born to a mixed family, her mother's Omaha side lost somewhere in the history of family bibles and alcohol and her father's ancestry some uniquely American mix of French-Canadian, Irish and something else. Her mother had been a quiet woman and she inherited most of her features, broad face, good hips, short height and a quiet demeanor. The other people here had always treated her with a distanced respect and she preferred it that way.

All of this past seemed to fade into dream as she continued following the tiny tornado west out of town and into the endless fields of commercial farming and cattle. It always hit her like a punch in the gut, seeing the pesticide laden soil groan under the weight of profit and the endless ambition of American business. Trying to find an audience for her feelings had always been impossible in a town of a few hundred farmers and their kin. Julie spent her nights alone as a child, staring out at the stars from a tree and wishing there was some way out of here, laughing deeply as age and wisdom taught her that "out there" was no different for a thousand miles on either side of the town.

It was mid-morning now and the crowded farm buildings gave way to the open sky and endless fields of their pursuits. Her feet stopped short as the vortex halted suddenly next to an access road, about 20 feet in front of her. It moved very slowly down the access road and she stood there, wondering just what the hell she was doing. She was certain that the bank manager had been calling her mother's house for several hours at this point, she was at least three hours late for her shift. Why did it seem so far away? So unimportant? Fuck it, she thinks and walks down the access road, chasing this tiny spirit.

An hour and a half later, the jinn stopped again near a telephone pole and suddenly dropped it's payload in a poof of dust and ash. Julie coughed and wiped her eyes , red sparks playing against her eyelids and Nebraska trying to force it's way into her throat. As the faerie light of her eyes cleared into the glare of the afternoon, a pay phone resolved into focus sitting next to the pole. It looked as though it had been there for sixty years, wind worn and faded from a life in the wild. A wild pay phone? Is it tamed?

The musings of herds of wild pay phones broke into iron tinged fear as the phone began to ring, piercing the windy solitude of her portable temple. Three shrill rings and she stood there, petrified at the way her day had gone. Silence for a moment, a released breath escapes her lips. The phone rings again and her chest seizes up. It's still ringing. Her hand reaches for the receiver, shaking and terrified. As the earpiece hits her ear and she begins to say hello, her lips freeze mid speech as the tinny speaker springs to life.

A sound like bees swimming through an ocean of digital waves gives way to a guitar in the distance telling the tales of her life. She strains against the hot black plastic to hear each note as the story unfolds in her mind's eye. The ground gives way beneath her, an earthquake lifts the red brown dust into the sky and the farm folds back in on itself. Every emotion of her life is turned into a digital pulse, converted by the aged and worn out telephone system and output through this minuscule electromagnet. Her eyes roll back in her head as the sky stares down at this strange sight, birds chirping their questions at the trees and the trees retaining their knowing silence.

Julie Wainsworth is dead now. That's what everyone in Stuart knows to be true. The county coroner confirmed that heart failure led to her demise. If he only knew how true that was. Her heart had failed years ago, this tiny town had never spoken to her and it was sheer willpower that kept her limping along. I know the truth says the tree. She has gone home across the wires around my fingers. Her body lay at my feet that spring morning, but Julie was racing across the plains, waving her goodbyes to the land that gives us life. Julie was my friend, she lived among my branches as a young-ling and stared at the stars until her tears fed my roots. I know Julie Wainsworth, I know her fears, I know her wishes and I know she smiles now.

Julie Wainsworth is not dead.


27 February, 2009

Neko Case: Middle Cyclone

It has been 3 years since Neko Case has graced the world with a studio album and this time she's back with a broadsword. If anything, this interim has delivered us a Neko even more polished, shinier and even more ready to cut your head in half with her vocal skills if not her considerable skills at carback sword fighting. "The Pharoahs" is a jewel of scintillating guitar riffs thrown up in the dust of what used to be your heart and is vocally strong enough to be a fortress in the storms that are running all over this record. Throughout her ventures in country music Neko case has challenged people's conception of what a country singer can tackle lyrically, stylistically and culturally. In spirit, if not in style, she is the inheritor of the storm front named Emmylou Harris that was pushing hard against the Nashville clone factory in the early 80's and winning. Middle Cyclone weaves a whirling path between stark beauty and lavish sonic storms, dipping through your hometown and up the highway towards the lights on the horizon.

A preview of this record is up on NPR.

20 February, 2009

Phosphorescent: To Willie


To Willie is an album long tribute from one very talented singer-songwriter (Matthew Houck) to another. These are the faded memories of honky tonk bars sung from the bottom of a lonely well, a near perfect selection of Willie Nelson tunes representing a broad spectrum of his career dancing on the fingers of a deft arranger and his reverb drenched production. Standing out among these gems is “Can I Sleep In Your Arms” which is treated with all of the warmness and intimacy Phosphorescent can offer. It is as delicate as a snowflake on your fingertip and as strong as the wind outside the windows. Willie did much the same for his hero Lefty Frizell in 1977 with To Lefty, From Willie and it is fitting that the man receive his tribute in turn. This is country music as it is meant to be; fresh, funny, heartbreaking and played with an undying love of the art.


Good for: Lamenting your bourbon soaked memories, or making some new ones.

16 April, 2008

Hope Sandoval & The Warm Inventions: Bavarian Fruit Bread

The blinds are shut against the setting sun and the dust floating around the room is dancing it's seductive dance against your eyes. Every curl of smoke drifting up from the bed is a testament to flesh, a poem written in the air. Angels sing the song of lovers and beg you to stay here, stay in this perfect crystallized Sunday moment. Each breath you take is a photograph of seduction, passion and the empty bottle of wine rolling softly across the wooden floor. Why should you leave?

Hope Sandoval
is telling you not to. This record transcends sexiness into something closer to divinity, the perfected art of early morning lovemaking, a gentle caress of an album that doesn't want you to leave for work.

It is the whispered word at the end of a long night out with friends, a more comfortable place to relax and be alone together, a chance to peer deep into the mysteries of sunrise from the other side of night. This is a world full of warm guitar tones, gentle harmonica trails and the light touch of drums and organ all coming together to get through your pants and into your heart.

There is a leather bound book I keep in my room full of loves lost and found, of dreams and hopes that never came to be and the yellowing notes from lovers past. I keep this album there with Keren Ann, Jose Gonzalez, Mazzy Star and Damien Rice.

Good for: Playing songs on the skin of your lover, treating every touch like a chord.

04 April, 2008

Angelo Badalamenti: Twin Peaks Season One OST

Twin Peaks was a romp through the dark and twisted paths that follow David Lynch wherever he goes and the score reflects that. It is a ghost of a score, touching down for only a moment in your mind and then floating off on a breeze. I'm pulling into a parking lot just this side of the state border. 6 am, no one here but I need gas and more smokes.

Where the hell am I? The interstate signs said there'd be a rest stop and store somewhere around here, but I can't see a damn thing. I feel the sunlight whisper through the branches of this autumn day as I start walking towards the abandoned roller coaster just on the other side of this run down building, I think it's a restaurant.

Flashes of something following me down into a stream bed and staying just out of my sight. Son of a bitch! I head back to the car, watching the edges of my vision and cram the keys into the door as fast as I can. I point the nose back towards the interstate entrance and stuff my toes into the floorboard.

Fuck! Weird little place, no wonder it wasn't on this map I picked up. No one ever comes back. I wonder how these places come to be...... I keep a close watch on this album while it plots with Chet Baker, Akira Yamaoka, and The Black Heart Procession.

Good for: Setting up detective fiction in your local coffee shop, making everyone suspicious as hell.

Listen to Nightingale on Last.fm!

28 March, 2008

I Muvrini: A Strada

I have to admit, I don't speak Corsican. Until I listened to these guys I didn't even know that Corsica had it's own language. Not that any of that really matters. The spell that they weave transcends language and enters that rare realm of communication without words. Which is kind of strange, considering that the Corsican tradition they're pimping is primarily vocal.

I think that they're trying to tell us that language doesn't mean a whole lot, and I agree. Corsica, for those who don't know is a tiny Mediterranean Island south of France and their music doesn't sound like anything you've ever heard before. Sweeping melodic structures are built like cathedrals only to fall into this sea of harmonic drone that is trying to sweep you away into the night.

You can get lost in here, it's an open invitation to fall completely into sound. There's hints of North Africa, touches of France and a healthy line of Latin liturgy running throughout the album and it takes you to a place so unique that you might not want to come back. It is levitating through the air with Sigur Rós, Godspeed You Black Emperor, Tony Scott and Tool wondering when you'll be joining them.


Good for: Meditating on top of a mountain during a thunder snow.

Listen to samples on Last.fm!