The writings of Eriq Nelson, ranging from poetry to prose to Extremely Bad Ideas and short stories.
Showing posts with label progressive. Show all posts
Showing posts with label progressive. Show all posts

19 February, 2009

Animal Collective: Merriweather Post Pavillion

Animal Collective has released a full length album almost every year since 2000 and they have lost none of their tenacity or experimentation in the process. This album is a limo taking you through modern music, it shifts smoothly between the bright pop of “My Girls” into the off kilter and entrancing rhythms of “Also Frightened”, past the stomping and cheering “Summertime Clothes” and right into the dark reverb laden mysteries of "Daily Routine" for a drink. They ride the edges of experimental music like a breaking wave, sometimes dipping the front of the track over the edge but bringing you back to the groove without you ever noticing. If you haven't listened to Animal Collective before, know that they write intentional and complex music that demands your undivided attention and that you will be immensely rewarded for your effort. If you have listened to them before, go out and get your eighth amazing Animal Collective LP.


Good for: Headphones in the dark, headtrips in the light.

29 April, 2008

The Be Good Tanyas: Blue Horse

The trip to Canada was not my idea. My life had sunk low into a haze of depression and drinking and nothing would drag me out. Well, no amount of bitching and whining would get me out of this one. My brother had made this very clear. By the time I woke up in the back of my car we were stopped at the border station just north of New York. Hill Island. The air had changed so subtly I hardly noticed.

I was still drunk from the night before so I crawled back into the nest of coats and pillows and dipped in and out of sleep for another couple hours. The world started shaking and I snapped out of my dreams with a start. Jim was shaking me, telling me we had arrived. "Where the fuck did you take me?". "Smiths Falls, now get up. We're getting coffee" I grumbled my way out of the car and into the sunlight. Sobriety is a bitch and this cold wind and clear sun was not making it any easier.

The cafe was a good ten yards from where we parked, but the parking lot stretched into the horizon in my eyes. Damn this place, damn these smiling Canadians and damn you Jim. I slapped my hand against the door hoping I'd hit someone coming out. Damn again, no one caught the door in the face. Jim shoved me forward and into the nearest booth. "What can I get you boys?", a tall pleasant looking face said somewhere above the rim of my sunglasses. "Double Maker's Mark neat and an ashtray" I grumbled. "He'll have coffee" from the other side of the table. Damn you Jim.

The coffee arrived in a carafe, the scent burned it's way through my nose and straight into my brain. Canada has coffee game. Jim and I started the ritual of coffee, passing sugar and cream back and forth in a game as old as our brotherhood. Over my shoulder I heard the drone of tuning and the clicks and rustles of busy stage work. "What the fuck is this Jim? You drag me all the way to Canada to listen to a fucking band?". "Shut up Eriq, listen."

The Be Good Tanyas sung me into salvation that night. I was their willing captive for the entire performance. Delicate strums on acoustic guitars drove sweet spikes of remorse deep through my festering wounds. The aching arch of fiddle danced with all of my fears, putting them to bed with understanding and compassion and vocal harmonies that gave me hope for the first time in years. These girls had found the best of America and distilled it with pure Canadian glacier water. I cried the entire night, drops of my past falling into the coffee held in front of me.

As the band wished us well upon our way, I wiped my face dry with the remnants of the napkin and ran for the door. The night time air slapped me in the face hard enough to lose my balance. The stars and I stared at each other for hours. A cruching of snow wakes me from my communion. "Do you get it? Are you ready to go?" "Sure."


I saved this in my photo album with Langhorne Slim, Po' Girl and Uncle Earl


Listen to my journey at Amazon.com

14 April, 2008

Manuel Barrueco: Nylon and Steel


Dark clouds gather on the horizon, trading secrets of quiet rumbling and flashes of insight. Soon the storm is fully formed and racing across the plains towards you, words of sonic titans falling down from the sky. But then it is no more, a clear sky, the sunlight bathing you in warmth and love. This album has summer storm moods, fresh and alarming folding gently into clear skies and pure guitar tones.

Every note of this album is exactly where it needs to be and it doesn't feel like it was programmed to be there. A great number of classical performances come off too stiff and mechanical for my tastes and this is not one of them.

It reminds me that the term "classical" is like any other genre tag, an approximation at its best and a limitation at it's worst. This is the bridge for two purists to meet in the middle of, enjoy an album together and expand their musical horizons with storm clouds of emotion and form. It takes people by the hand into new lands with Manu Chao, Run DMC, Daft Punk and Norah Jones.

Good for: Breaking down the walls between emotion and logic, between structure and intention and the wall between you and me.

30 March, 2008

Neko Case: Fox Confessor Brings The Flood

I'm watching the stars glide past my eyes in the back of a 1976 Buick station wagon, the smell of the vinyl seats mixing with the pine trees flying past. This is a late night trip down an ancient road past the city lights and noise. Here is the sound you need while you watch moths struggle to join the fluorescent oblivion of a gas station parking lot sign on the road back from a place you never wanted to be.

Neko Case
weaves your desire for a better life around a rusted state road sign and wraps the whole thing in an old newspaper before passing it down the bar to you. This album exists in that incredible undefined space between country music, indie folk and singer-songwriter material. It makes me remember why I think genre is bullshit. It's so hard to pin this album down and it's even harder to try and put a label on Neko Case.

Her work has ranged significantly since starting out and it just keeps getting broader and better the more she works. On another awesome note, she grew up in Northern Virginia which is none too far from my own city of Richmond and knowing a bit about the area gives me an understanding of the musical authenticity she's seeking. For those who don't know, Northern Virginia is like Disneyland for conspicuous consumers. It's ridiculous, trust me. This album is rocking me gently with Ryan Adams, Nick Drake, Gillian Welch and Ron Sexsmith.

Good for: Watching blue smoke curl off the bar in a Waffle House just down the road from the dump.

Listen to samples at Last.fm! I recommend you check out Star Witness, soooo awesome.

29 March, 2008

Fleet Foxes: Sun Giant EP

If we were a tribe in a Zach Braff's head, this is what we'd be playing every night around the fire. There's this other worldly thing floating around Fleet Foxes, like the monsters from under your bed have all come out to join the band. I'm standing in a field watching a faerie tale evolve in front of my eyes and I cannot move. Fleet Foxes play what they describe as baroque harmonic pop, but I think it sounds like the Doors have come floating down through the ages to sit in on a Decemberists session and play the tambourine.

There is this amazing vocal harmony work running throughout the album and other passages that hit a simplicity that I really only find in traditional bluegrass and the like. This EP is their second and I'm really looking forward to going back to their self titled EP and being just as mesmerized by these shining strands of hope and loss that they call songs.

This EP is glittering in my mind with TV on the Radio, The Flaming Lips, Broken Social Scene and Neutral Milk Hotel.

Good for: Watching birds dance high above the tree lines, smoking a pipe and thinking it might rain.

I don't normally do this, but they don't have anything on Last.fm.
You can hear a few tracks on Myspace.com

18 March, 2008

Guest post by Jerry Vaughn! Meshuggah:ObZen

Consider ObZen a mathematics puzzle. If you add the complexity of Tool, multiply the brutal vocals of Lamb of God, and divide by the square root of death metal, the answer to the equation is Meshuggah. The 5-piece poly-prog metal act from Sweden is back with yet another journey to confuse and astonish their fans. These guys never cease to amaze me with their impeccable sense of timing.

There were occasions that I had to stop head-banging just so I could find the beat again. Quite a few of lead guitarist Fredrik Thordendal's riffs are the sickest I've heard in ages. Drummer Tomas Haake continues to deliver his sick combination of standard and polymetric beats which sound like an orchestra of machine gun fire at times. Jens Kidman's vocals seem as sharp and focused as ever. The rest of the gang delivers a phenomenal performance this time around as well. All in all this is, in my humble opinion, their finest effort since 1998's "Chaosphere".

Good For: Kicking old ladies, road rage, breaking shit, and 52 minutes of mathematics.

14 March, 2008

Strung Out: Twisted by Design

If Me First and The Gimme Gimmes are punk rock in clown shoes, then Strung Out is punk in a tuxedo, all washed up and ready to meet your mom with a dissertation on sociology. They make what is at times a formulaic and simple genre something incredible and new and have done so without sacrificing what most people listen to punk for, energy and lyrics.

Twisted by Design
is Strung Out's 3rd album released on Fat Wreck Chords and I think represents the perfect mid point in the bands growth into a progressive punk rock force. The lyrics are a well balanced blend of failed romance, social critique and pure poetry. There is one song on here that is pure inspiration to me. "Reason to believe" is an anthemic rant about modern living that anyone born in the last hundred years should feel deep down in their gut. Or they're dead inside. Or apathetic. Meh.

This album is trying to start a revolution with The Refused, Pennywise, Good Riddance, Bouncing Souls and Rancid in my record crate.

Good for: Getting pissed off about the world and your ex and heading out to tell them both off.