I remember that day we hid upstairs. Peering down between the floorboards somewhere between loneliness and fear, I tasted the air all around her. Delighting in the smell of monsters lurking behind those eyelids, crowding out this vision of me hunched up in the corner. She never looked my way, just shivered as the world crept up on us with it's cruel sunlight and endless gazing and slunk into my arms shallow from the effort of silence. Our skeletons stacked in the corners of the hallway closet, dusted off and polished for company. Never too old or too young to hang out our problems to see, we used to take pride in propping them up in lifelike poses, dressing them in fancy clothes. I was busy washing her hair with my fingertips and remembering to breathe while she sewed up our latest designs.
When the wan light of this treacherous day had pierced the flowered armor she so skillfully deployed across the windows I left her laying on the bed to see how far the enemy had come. Defenses shattered, I peered down at the encampment cooking fires by the dirt road leading up the hill. The one we'd infiltrate on Saturday nights pretending to be in love so we could screw and drink. Looking at the twisted reflection bouncing off the lead glass I wondered why I lingered here in this endless gloom. The blend of tea, sweat and weed swirled around me in clouds of ecstasy and desolation, daring me to try and walk downstairs. I remember thinking I had been stuck in a loop in that moment, like the shuttle control of my mind had been fucked with by some cruel bastard intent on making whiskey my only water. I found myself back on the altar, tied to her with rope I never brought, staring through the back of her head and trying to untie my hands without making a sound. But I think I was her captive audience, the jewel in her crown of thorns.
I wasn't even needed there, just a warm body and a pliable soul that eased the burden of an emotional hoarder. Those endless stacks of well thumbed through magazines depicting couples on Parisian avenues, dimly lit cafes and wine cellars were the walls she had put my artwork on. Just the topmost layer of a collage of wistful yearning and childish dreams. We'd spend these perpetual twilight hours together painting pictures on each others faces and making love to our favorite masks. Later in that endless night, I found her eyes behind a bookshelf full of empty cigarette packs and used condoms and tried to put them back. Only they didn't fit anymore, the sockets burned cold by peering between fiction and this dim imitation of her fantasy.
We rolled around in the whispers of an endless night for years, reaching further and further into each others throats, as she tried desperately to tie one last knot in a rope of pleasure and guilt. I finally woke one day to find the upstairs room empty, a museum of obsession echoing through my mind. Her clothes were laying on the floor among the stacks of morning skirmishes that turned into afternoon passion and torment. I packed the last of myself into a rusty car and headed down the dirt road past the enemies lines, musing that they never looked so transparent as they did that afternoon.
The writings of Eriq Nelson, ranging from poetry to prose to Extremely Bad Ideas and short stories.
20 January, 2008
08 January, 2008
News: Helping the baby making population, one song at a time
So I've decided to try and conquer the world through the power of sexy. There are many types of music in the world and I've listened to most of them but the one that gets me the most is down tempo electronica and trip hop. Portishead did something permanent to my brain. It might have been the time and place, but I've never found anything to replace my copy of Dummy. Well, Sigur Ros () comes real close and Tidal from Fiona Apple is some damn fine work, but Dummy rules the world of sexy in my book. I spent some time looking at how the album was made and it's a damn brilliant production technique. They recorded themselves on the shittiest analog equipment they could find and then sampled it digitally to produce the album. *snatch* If musicians and producers didn't steal from each other I imagine a lot of great ideas would go to waste. Anyway.
Ian and I have been trying to get a music project together for a few years now and we're finally in the right place to start this thing rolling. We've gotten down a bit of material and how the finished product will sound has started to coalesce in my mind. A coworker who's never heard anything like it asked me to describe what we're looking for. It took me about two weeks to figure it out. Imagine Al Green produced by the RZA and Trent Reznor with A Silver Mt. Zion providing the textures. I don't believe in shooting low. I want to make a damn fine album this time.
I guess it all really started a few years back. I was at a party playing guitar (yes, I am on occasion that guy) and I realized that I in fact do not rock. There are many things the Eriq is capable of. I can groove, I can swing I can even on occasion get the fuck down, but no rocking. It took me many years and a lot of bands and attempts at bands to come to this realization. I got home and I started looking at my most played iTunes list and came up with Emmylou Harris, Mazzy Star and Miles Davis. Not a surprise now but quite shocking at the time. Well you know I grew up in the era of grunge and metal and it took me a long time to find my way out of the suburban radio rock BS that surrounds our culture like a vulture even now. Besides I think it takes a lot to step outside what you know and what's acceptable to your society and at 17 years old, I just didn't have the balls to do it. Ahh the teenage years, we'll leave those alone for now and come back when we have several days to waste. Nevertheless, suburban white kids have a choice of several prepackaged identities to choose from and that's the one I got. Neato. On with the rebellion and the rocking we go. It never quite took and I think at this point in my life I'm ready to let it go. Don't get me wrong if someone is feeling the rock, there's no BS about it (J-Diggy, here's looking at you kid) but when you wear it like a mask there's a serious problem.
So now I'm curling up in a warm sexy Aphex Twin album and I'm not coming out for a while. While I'm here I'm going to craft the sexiest things I know how and see what happens. Maybe one day the Gods of Rock will bless me with the urge to shred riffs and wear black all the time, but for now The Sex shall reign supreme. The Nicotine Persuasion begins.
Ian and I have been trying to get a music project together for a few years now and we're finally in the right place to start this thing rolling. We've gotten down a bit of material and how the finished product will sound has started to coalesce in my mind. A coworker who's never heard anything like it asked me to describe what we're looking for. It took me about two weeks to figure it out. Imagine Al Green produced by the RZA and Trent Reznor with A Silver Mt. Zion providing the textures. I don't believe in shooting low. I want to make a damn fine album this time.
I guess it all really started a few years back. I was at a party playing guitar (yes, I am on occasion that guy) and I realized that I in fact do not rock. There are many things the Eriq is capable of. I can groove, I can swing I can even on occasion get the fuck down, but no rocking. It took me many years and a lot of bands and attempts at bands to come to this realization. I got home and I started looking at my most played iTunes list and came up with Emmylou Harris, Mazzy Star and Miles Davis. Not a surprise now but quite shocking at the time. Well you know I grew up in the era of grunge and metal and it took me a long time to find my way out of the suburban radio rock BS that surrounds our culture like a vulture even now. Besides I think it takes a lot to step outside what you know and what's acceptable to your society and at 17 years old, I just didn't have the balls to do it. Ahh the teenage years, we'll leave those alone for now and come back when we have several days to waste. Nevertheless, suburban white kids have a choice of several prepackaged identities to choose from and that's the one I got. Neato. On with the rebellion and the rocking we go. It never quite took and I think at this point in my life I'm ready to let it go. Don't get me wrong if someone is feeling the rock, there's no BS about it (J-Diggy, here's looking at you kid) but when you wear it like a mask there's a serious problem.
So now I'm curling up in a warm sexy Aphex Twin album and I'm not coming out for a while. While I'm here I'm going to craft the sexiest things I know how and see what happens. Maybe one day the Gods of Rock will bless me with the urge to shred riffs and wear black all the time, but for now The Sex shall reign supreme. The Nicotine Persuasion begins.
03 January, 2008
Prose: The Delicate Dance of Desire
And so I dance.
This dance has steps that resemble nothing else in the world. They are hidden rules and everyone follows them religiously. Like a secret society that everyone else is a member of, whispering the dark secrets of form and ritual in hushed back alleys just outside my earshot. A twist here, two unspoken understandings there all done behind the screen. I've been listening as long as I've been alive and the steps elude me even to this day. Perhaps I lack the subtlety required of its participants. The grace of the common man is beyond my reach despite the dizzying patterns I dance around the hard wood floors and pillars of beer cans.
It is a cruel thing at times, desperate and clinging. The fever pitch of a thousand paper hearts flying through the air smothering the floor and choking the life from anyone caught in the swarm. The band reaching its crescendo and falling face first into the crowd. Everyone is staring around, wondering if this maelstrom can outlast their willpower. The answer is yes, and you won't know your face when it's done.
Then you watch the grace of two seasoned veterans, toying with emotions that rattle like sabers in the hands of a master. Each perfectly poised and perfectly detached from the reality of the steps. Smirking bastards. These are the people who write the rules of engagement for everyone else. It is cool and inhuman, pausing for breath only to suspend your disbelief. I can enjoy the show, watching robots try to fuck if only to give me an uncomfortable laugh. The truth is that the methodical actions of these dressing dolls are as much a mystery to me as the ramblings of the madman whirling in his endless hair. It is perhaps the last mystery we're allowed.
At a certain point the vast majority of people expect that you don't believe monsters are hiding under your bed. I think they go to live in your heart when you banish them from the comfort of dust balls and one left socks. All you're left with is the boring underside of your mattress, a few boxes of random crap and a crumpled up porn magazine. Gone is the myth we carry around as children, the wonder of a spiderweb and the witching hour between this world and the next. We place all of our belief and mystery into smaller buckets, call one Love and the other one God and move on with life. It is all boiled down and bottled up in a dance and we dance it all the time, whether we know it or not. It eats up all of our time and energy and most of the time we're pretty unaware of it.
But I've been watching my feet very closely.
I think they'll betray me soon.
This dance has steps that resemble nothing else in the world. They are hidden rules and everyone follows them religiously. Like a secret society that everyone else is a member of, whispering the dark secrets of form and ritual in hushed back alleys just outside my earshot. A twist here, two unspoken understandings there all done behind the screen. I've been listening as long as I've been alive and the steps elude me even to this day. Perhaps I lack the subtlety required of its participants. The grace of the common man is beyond my reach despite the dizzying patterns I dance around the hard wood floors and pillars of beer cans.
It is a cruel thing at times, desperate and clinging. The fever pitch of a thousand paper hearts flying through the air smothering the floor and choking the life from anyone caught in the swarm. The band reaching its crescendo and falling face first into the crowd. Everyone is staring around, wondering if this maelstrom can outlast their willpower. The answer is yes, and you won't know your face when it's done.
Then you watch the grace of two seasoned veterans, toying with emotions that rattle like sabers in the hands of a master. Each perfectly poised and perfectly detached from the reality of the steps. Smirking bastards. These are the people who write the rules of engagement for everyone else. It is cool and inhuman, pausing for breath only to suspend your disbelief. I can enjoy the show, watching robots try to fuck if only to give me an uncomfortable laugh. The truth is that the methodical actions of these dressing dolls are as much a mystery to me as the ramblings of the madman whirling in his endless hair. It is perhaps the last mystery we're allowed.
At a certain point the vast majority of people expect that you don't believe monsters are hiding under your bed. I think they go to live in your heart when you banish them from the comfort of dust balls and one left socks. All you're left with is the boring underside of your mattress, a few boxes of random crap and a crumpled up porn magazine. Gone is the myth we carry around as children, the wonder of a spiderweb and the witching hour between this world and the next. We place all of our belief and mystery into smaller buckets, call one Love and the other one God and move on with life. It is all boiled down and bottled up in a dance and we dance it all the time, whether we know it or not. It eats up all of our time and energy and most of the time we're pretty unaware of it.
But I've been watching my feet very closely.
I think they'll betray me soon.
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